Prism 19.1 – Urban Space and Time in Twenty-First-Century Sinophone Film and Fiction

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Chronotopia: Urban Space and Time in Twenty-First-Century Sinophone Film and Fiction

Astrid Møller-Olsen

Multiple Time-Spaces: Dialogical Representation of the Global City in Chinese New Urban and Rural-Migrant Films

Jie Lu

Ghostly Chronotopes: Spectral Cityscapes in Post-2000 Chinese Literature

Winnie L. M. Yee

Spatiotemporal Explorations: Narrating Social Inequalities in Contemporary Chinese Science Fictions

Frederike Schneider-Vielsäcker

Reconfiguring the Chronotope: Spatiotemporal Representations and Cultural Imaginations of Beijing in Mr. Six

Xuesong Shao; Sheldon Lu

Take the Elevator to Tomorrow: Mobile Space and Lingering Time in Contemporary Urban Fiction

Astrid Møller-Olsen


Spectacles of the Sinograph in Chinese Literary and Art Productions

Tong King Lee

Zhang Dongsun: The Predicament of Thirdspace

Jianmei Liu


Ground and Background

Carlos Rojas

Screening Anti-Asian Racism: Gendered and Racialized Discourses in Film and Television

Alexa Alice Joubin

“I See You”: Racialized Surveillance and Asian American Invisibility

Karen Fang

Orientalism and Wellness in the United States

Rumya S. Putcha

Postornamentality: Ajumma Fabulosity and the Art of Wearing a Visor with Ferocity

Suk-Young Kim

“And This Is What He Did”

Emma J. Teng

Grief, Translation, and the “Asian American Woman” in Hong Kong 

Grace En-Yi Ting


The Great Leap Backward: Forgetting and Representing the Mao Years

Xiaojue Wang

The Condition of Music: Anglophone Influences in the Poetry of Shao Xunmei 

Paul Manfredi

Beyond Imperial Aesthetics: Theories of Art and Politics in East Asia

Paola Iovene

Utopian Ruins: A Memorial Museum of the Mao Era

Enhua Zhang

Rethinking the Modern Chinese Canon: Refractions across the Transpacific

Valerie Levan

Going to the Countryside: The Rural in the Modern Chinese Cultural Imagination, 1915–1965 

Jie Guo

Manhua Modernity: Chinese Culture and the Pictorial Turn 

Nick Stember

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